Here at last is a concise critical history of photography which explains by what criteria we can judge one photograph to be better than another, what is special about the photographic recording of images, what in fact is the essence of photography both in itself and in relation to other visual art forms. This brilliant study provides a unique guide to the critical issues throug...(展开全部)

The idea of the sword-wielding samurai, beholden to a strict ethical code and trained in deadly martial arts, dominates popular conceptions of the samurai. As early as the late seventeenth century, they were heavily featured in literature, art, theater, and even comedy, from the Tale of the Heike to the kabuki retellings of the 47 Ronin. This legacy remains with us today in the...(展开全部)

This feminist retelling of the history of photography puts women in the picture—and, more importantly, behind the camera! In ten thematic, chronological sections, Tate Modern curator Emma Lewis explores the vital role women artists have played in shaping the ever-evolving medium of photography. Lewis has compiled work from more than 200 different women and nonbinary photograph...(展开全部)

The fourth edition of this comprehensive history of photography has been thoroughly revised and updated. Spanning the entire history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien disc...(展开全部)

The fifth edition of this indispensable history of photography spans the history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from around the world and through ...(展开全部)

作者：(英)马克·德登（Mark Durden），英国作家，艺术家，南威尔士大学创意产业学院摄影系教授。著有《多萝西娅·兰格》（Dorothea Lange，2001，2012），《摄影研究的五十位重要学者》（Fifty Key Writers on Photography ,2012）。合著包括与大卫·坎贝尔(David Campbell)合作的《可变资本》（Variable Capital，2007），与肯·格兰特(Ken Grant)合作的《二次拍摄：基斯·梅得利文献中的肖像照》（Double Take: Portraits From the Keith Medley Archive，2013）等。此外，马克·德登还发表了大量关于摄影与当代艺术的文章。目前，他是艺术家小组“共同文化”(Common Culture)的成员。

布雷特·L. 沃克是蒙大拿城市大学（波兹曼）杰出教授，迈克尔·马隆历史学教授，主要研究领域为环境史，医学史，日本近现代史，以及比较全球史。除本书外，还著有《疾病的家族史》（2017）、《毒岛：日本工业病史》（2010）、《日本狼的灭绝》(2005)等多部英、日文专著。其主要作品被译为日文、中文、西班牙文和葡萄牙文等多种文字。

This revised edition of a comprehensive single-volume Australian history reference incorporates the most recent historical research and contemporary debate on relevant issues. In addition to frontier violence between European settlers and Aborigines and the Stolen Generations, the volume covers the Sydney Olympics, the refugee crisis and the "Pacific solution."

Australia is the last continent to be settled by Europeans, but it also sustains a people and a culture tens of thousands of years old. For much of the past 200 years the newcomers have sought to replace the old with the new. This book tells ow they imposed themselves on the land, and describes how they brought technology, institutions and ideas to make it their own. It rela...(展开全部)